Sunday, April 20, 2008

Spark it up



Hurrah! Our new tracks Spark it Up and Attack Attack have been mixed and mastered and we've set a single release date for 2nd June, on our own label RaRaRa. The tracks are currently streaming on our myspace page and they'll be on LastFM and the website in the next day or so. We're really happy to be moving forward again after a couple of months of relative quietness on the dog front.

I'm glad to report that it's not all been thumb twiddling and yak-hair jumper knitting though - there's been much busyness with other work commitments, and the juggling that that creates.... however, plans are being hatched for lots of shows over the summer. We're planning on heading back over to Europe in July, to Germany and Italy and we're really looking forward to our three upcoming shows next week which kick off with the South West Sound Bristol fringe this coming Wednesday at the Cooler with Countryside, a short hop over to Bath on Thursday with the Hinkley Veltones and then a chilled out set at the Folkhouse in Bristol on Friday with Roger Tarry and the Rosie Taylor project. In May we're delighted to be playing Dot to Dot Festival in Bristol and Nottingham - more details on times and venues to follow.

We sadly said goodbye to our trusty Dogmobile recently. It was never quite the same after its little adventure to Exeter which ended in a motorway services with much steam and RAC action. It limped on for a couple more months but when it started smoking like a kipper, a trip to the garage revealed a split head gasket so it was pretty much beyond repair. I was actually pretty gutted - I loved that van, it was quirky, fun to drive, and most importantly beeped when you put it into reverse. Class. So, we started a proactive search for a new van and picked up a rather darned hot black VW transporter. It's ace, but so far slightly flawed in that it revs like billyho, but we're hoping it'll be sorted in the next couple of days!

Friday, February 22, 2008

Adventures in Europe part III

Following on from ace trips to Paris and Austria it seemed logical to explore the other delights that mainland Europe could offer. A sketchy invite to an Italian industry shindig last November put the wheels in motion for our latest trip to Italy but it's safe to say that the subsequent tour planning wasn't plain sailing. The original invite fell through but by that time we'd made friends with Italian band Tiny Tide through myspace and decided to string some dates together. This led to endless days compiling lists of venues, contacts and agents and fruitless attempts to communicate with said people with a mixture of chirpy English and pidgin Italian. The less results I got, the more fervently I pestered and cajoled but it seemed to me after three months of trying that Italy was a closed shop. So, thank goodness for the tireless optimism via myspace of Mark from Tiny Tide who sorted out our first show and to Max at Mattatoio who took a punt on us and offered us a subsequent gig. The plans were set.

When we set off for Pisa on the afternoon before Valentines day I still wasn't quite sure what lay in store for us and had the niggling frustration that still hung around of having only 2 dates booked with 2 days inbetween. (I needn't have worried - by Valentines night those fears had evaporated and we were all grinning like loons, but more of that to come).

The designers at Pisa airport obviously had a thing for pigeons. Sculptures of the little blighters were immortalised in plaster, stone and wood all around the terminal building, flapping their alabaster wings in frozen flight and fixing us with beady eyes as we waited, and waited and waited for a taxi which never seemed to arrive. Finally we got a ride, and surprisingly the driver didn't bat an eyelid at our hefty baggage, guitars and drum paraphanelia, unlike in Paris when the drivers took one look at our garb and worldly goods and drove off into the distance with a shrug and gallic snort. (Our subsequent dealings with Italian taxi-drivers over the next few days were overwhelmingly excellent. One in Modena was reading Dostyovsky's Crime and Punishment and another joked with us in perfect English about the excellent free B&B facilities as we drove past the local jail). Pisa seemed like a nice city from what we saw, small, clean and with the great big leaning tower - more imposing and awesome than I'd imagined from photos and books and dramatic in the moonlight. We found a good local Pizza restaurant, attempted our first Italian words and drank lots of nice Italian wine.... all a good introduction to the next day.






(Martin took some ace pics which we'll hopefully upload soon, these are three crumby pics from my cameraphone)

Our hotel in Pisa was right by the station and it was so straightforward to buy tickets to Cesena. The Italian train system worked for us really well, it was cheap, efficient and no-nonsense. Our Italian friends grumbled about the old rolling-stock and delays but compared to our creaking, vastly overpriced UK rail network it was a joy. We got to Cesena, hung round for a bit, got cold and then went to Lego which was down a pretty cobbled sidestreet. I think I pretty much knew the rest of our time in Italy would be great from the first half hour of being in Lego. It was a lovely friendly place, Ettore the owner welcomed us warmly, gave us directions to the hotel and told us when to come back for soundcheck, after which he cooked us delicious pasta and supplied copious amounts of booze. I really enjoyed the gig - it was a very simple, small set up but the place was packed for Valentines day and we had a ball. By this time we'd said our hellos to Tiny Tide and co, watched their support set and sussed out that they were top blokes. They were our guides and friends for the next couple of days and their kindness and generosity knew no bounds.

We based ourselves in Cesena for the next couple of days, explored the city and had daytrips to Rimini/Bologna. It was a break and thoroughly enjoyed. One thing that struck me was that Italian lunchtimes are a big deal. Rimini was like a ghost town on Saturday at 2pm. We sat and had coffee in one of the squares and there was a sleepy hush about the place but when the clock struck 3.30 people came streaming out onto the streets, the shopped opened and by 4pm the place was packed. It was quite lovely. Saturday night we were taken out to dinner by our Italian friends and then onto a great club about half an hour out of Cesena.

Sunday morning we gathered ourselves together, ate more bread-based products for breakfast (by this point I'd not eaten a fruit or vegetable for four days, apart from a sugar glazed strawberry on top of a pastry) and we got the train to Carpi, via Bologna and Modena. I didn't know much about the venue Mattatoio at this point, just instructions to a hotel and we'd work the rest out when we got there. The hotel was amazing - brand new, luxurious and with wonderfully friendly staff who rustled up some delightful bread-based products for us to eat on arrival. Rested and happy we got a taxi to the venue for early soundcheck and stage time of 8pm which seemed oddly early. Again, I needn't have fretted. The venue was amazing - housed in Carpi's Communist party headquarters, with a great PA and excellent supplied backline. We met up with Tiny Tide who played an ace support set and then by the time we went on at eight the place was really busy. Max, who had booked us explained that everyone went for dinner at 9 so early gigs on Sunday worked well. The gig itself was ace fun, although the pressure was on to put in a good performance it was still exhilarating. The Italian hospitality which up 'til now had been exemplary went into overdrive as we were taken for a slap-up meal and then driven back to the hotel. We made the mistake when back in the hotel lobby of tucking into the Talisker malt whisky that we'd spotted behind the bar and the barman/concierge poured us the most generous measures and insisted on topping up our glasses. We then somehow discovered that each glass was €10 - meaning we'd accumulated an €80 bar bill in the space of half an hour. Yikes.

So, Monday dawned and it was our last day in Italy - time to gather our gear and head to Venice to fly home. The travelling home is usually the worst part..., in our case we were happily stuffed with bread-based products but weary. The train took around three hours with changes and we arrived into the main station with a couple of hours to spare before check-in. I'd been to Venice once before as a student and the memory of it had stayed with me, as a place of incredible light, an unearthly magical city. For some reason though I'd forgotten the entrance from the train station - it was stunning, with steps leading down to one of the main canals, with a beautiful footbridge over the water and the busy hum of a city alive. I went to one of the waterbus booths and booked what I thought was four waterbus tickets to the airport. We were pointed in the general direction of the right place to catch the bus and so we trudged over the bridge and along the canal with our increasingly heavy baggage only to find that the waterbus didn't seem to exist - only a bus station set back from the canal with thronging crowds all queuing for the airport buses. We headed back to the canal and I approached one of the private water taxis to see how much it would be for us to get to the airport. It was quite a lot but we all had a few Euros left - enough to chip in and it was the best decision we made of the whole trip. With all our luggage and guitars precariously loaded onboard we were motoring through the centre of Venice on our very own speedboat as the sun was setting on the city and as soon as the boat left the city limits were were roaring across the open water to the airport. Simply breathtaking.

In conclusion.... an amazing few days. A much-needed boost for us as a band and also a time for reflection and gathering pace for the coming year. We love playing live and travelling together and are really hungry for more experiences like this.

Wednesday, January 02, 2008

Happy new Year!

Had fun at the Cooler in Bristol for NYE - first time we'd played a New Years Eve gig and Rob nearly got to put his foot on the monitor and play Auld Lang Syne but thankfully he resisted. I nearly lost my voice (blaming the dry ice) and got bought (medicinal) brandy by generous souls. Ended up at the Louie after and then staggered back to ours. What a treat to drink after a gig for once... I could get used to it. (insert devil emoticon here).

Who knows what 2008 will bring - we certainly had a good times with the band in 2007 so looking forward to the upcoming months.

Tuesday, December 04, 2007

wings and things

It's all very well furiously downing Red Bulls before playing a gig but in hindsight not the brightest move for a Monday night. Had a lovely time at the Louisiana supporting Hey Gravity tonight (unsurprisingly we whizzed through the set) but now hot-diggity-dang the evening's fiendish caffeine and adrenalined cocktail is raging on and I'm bouncing round the walls. Heck.

I've been pondering an odd fact by a certain Mr H tonight who declared the origins of the necktie were as a food-catching bib. I suspect he may be in Robbie-tall-tale territory but it was a good yarn nonetheless. True/False?

Had fun in London on Saturday at the Notting Hill Arts Club. Sounds XP were curating the weekly RoTA afternoons and kindly invited us to play along with The Hot Puppies and Olympians. Good times.

Saturday, November 24, 2007

We're done with Angst

So goes the motto of Californian popsters The Little Ones. Until last night I didn't know much about them apart from vaguely recognising the name. They were playing at the Louisiana and as Robbie was the house engineer last night he did the usual pre-work myspace check to see what he was in for. On first listen they sounded great so he promised to text during soundcheck to let me know how it was looking. Two hours later.... 'AWESOME' was the message. He isn't easily impressed, especially after the countless bands he's seen at the Loui over the last couple of years so I duly headed down to catch them at 10.

They were indeed AWESOME. Haven't been so moved by heartfelt pop-tomfoolery since the Changes. Oh please Little Ones, don't play at Exeter Cavern with no Bristol date next time you're in the UK, I beg of you. Actually, there's fat chance of that seeing as they're currently supporting Kaiser Chiefs and We Are Scientists in considerably larger venues. It was a rare chance to see them in a cosy setting.

Star of the show was the smiliest bassplayer I have ever seen - in fact they all looked like they were having a ball, with genuine banter and heartfelt loveliness. Shame on the Guardian for rather acerbically commenting that "on their best songs, they are capable of freakishly infectious guitar pop. Elsewhere, they sound like twee US indie kids doing karaoke versions of Magic Numbers tunes". Twee karaoke? Outrageous! They may be sweet, but pigeon-toed they certainly are not, packing a pop-fuelled punch with delicious understanding of what makes a cracking tune. Also much as I like their Heavenly bedfellows The Magic Numbers, The Little Ones have much less chaff and more lyrical depth.



Anyway, in other news, dog-wise we've had a few nice gigs recently, supporting chirpy Canucks Pony Up at the Louie, Fortune Drive at the Croft and then over at Moles in Bath on Thursday with Emily Breeze and Ill Ease. On the way back from the Moles gig we got stopped by the police. It was round by Temple Meads where the lanes all converge and divide, no one on the road apart from us and a police car that whizzed up behind us, tooted and then flashed the blues and twos. Really, did they have nothing better to do than pull us over to instruct me how to use my indicators? Had I been drinking? Was this my van? Where did I live? Did I have ID? Where had we been this evening? Why was our band called Santa Dog? (yes, really). Once they'd ascertained that I was sober, was who I said I was, and was the owner of the vehicle, they let us go, with the faintest whiff of disappointment I may add.

Thursday, November 01, 2007

Prawn of the Dead



I blame this little fecker and his grubby little friends for the unholy infarction that happened last weekend. Without going into too much detail, I was really sick and poorly, just a few hours after cooking a yummy prawn stirfry. I loved prawns and now I just don't think I'm going to be able to eat them again for a while. Grrrrr.

It wasn't the greatest timing either as the next day we were recording rhythm tracks for the new tunes. My contribution to the day's events was slack, some feeble guide vocals and then off to bed. The others did a sterling job, a constructive days work. There was the inevitable Spinal tap style squabble but we soon got over that. More tomorrow. (Recording, not squabbling, I hope)

Also, I was having a clear out on the computer and found a photo that Jojo took on his mobile phone at the photo shoot we did with Toby ages ago. Robbie is doing his finest Father Dougal impression.....

Sunday, October 21, 2007

lo-fi photo musings

There has been a mysterious used roll of 35mm camera film sitting on my desk for at least the last 2 years. Every so often I've added it on my list of things to do, or stuck post-it notes to the canister saying things like 'develop me' but I never seemed to make the effort to get done, especially as I couldn't remember what the heck was on it. Finally my curiosity got the better of me and I took it down to the super cheap Asda lab last week. What a pleasant surprise! It was the last film I'd taken on my 4-lens plastic 'action sampler' Lomo camera about 3 years ago.

It's a really bonky camera which fits four frames into a normal 35mm frame over a slight time delay. Much fun, and I was really happy with this one image in particular, of chive flower heads, with the lovely blurred edges and odd saturated colours that Lomos are so uniquely good at capturing. This whole 'mystery film' experience is one of the fundamental reasons why I still love film. I'm not a luddite, I think digital cameras are amazingly handy and I'm always using my camera phone for quick, cheap and instant snaps but sometimes instant on-demand technology lacks an indefinable quality, a soul maybe. There is something magical about a lost film reel - secrets hidden inside a light proof time capsule. Safe and biding their time, ready to be revealed but equally happy to wait.

Getting this film developed was part of a mini-resurgence I've had the last week or so for lo-fi film based photography, which I had been seriously into several years ago. I dug out some of my old cameras and bid for some out of date polaroid pack film from ebay for this baby:

Polaroid don't make them anymore - I was amazed they made them in the first place as it's such a niche market. They were never available in Europe so I ordered mine from B&H in the States several years ago. At the time I thought was a bit of an extravagance for what is essentially a Polaroid-logo on a cardboard box with a pack film holder on the back but I love it and the results are gorgeous. The longer exposure that pinhole cameras require means the colour chemicals in the polaroid get saturated and the effect can be ethereal and painterly, as in this pic of a flowerhead I took a while ago.

So, the ebay-won polaroid pack film duly arrived. It's way out-of-date stuff, which is fine as I'm not looking for pristine clarity and perfect colour reproduction. Additional blotches, leaks and quirks are all part of the results. Unfortunately it'd been so long since I'd used the polaroid camera that I loaded the pack wrong on both batches of films so my subsequent cussings and swearings about dodgy ebay film was compounded by dumb user error. At several points all the caustic film paste leaked out all over the rollers, the film jammed and only a butter knife and a pair of tweezers saved the day. I have ordered another ebay film, next time I know what to do.
Here's an eccentric result from one of the films - the yellow banding in the middle is the result of knackered colour chemistry in the out-of-date pack.

I've been really pleased by the huge growth and accessibility of polaroid/pinhole/lofi/toy camera blogs and sites since I last properly looked for this stuff on the net. I'm guessing that the rise of blogging and networking sites like Flickr are doing great things, and despite digital cameras wiping out the mainstream trad-film cameras, this lo-fi analogue stuff is getting a new lease of life and I know what I want for Christmas!